Bio: Danny Bonnici and Luke Chable are very familiar with each other's studios. In 2003, they collaborated to produce the ebullient classic ‘Ride, ' arguably the standout release in underground dance that year. Almost a decade passed before they rekindled their partnership, resulting in ‘Colours, ' a delightful 2012 release that wears its whimsical heart on its charming sleeve. Fast forward to 2024, and Balance is proud to re release this gem with a fresh round of remixes, featuring Dutch star Alex O'Rion and a breakbeat re rub by Danny Bonnici.
If ‘Ride' epitomized care free mid 00's prog, ‘Colours' is imbued with the spirit of 2012. It's a radiant drive atop a sunlit melody and kaleidoscopic tones that will embed itself deep into your psyche. Drawing inspiration from the more vogue ish releases of that year, the brilliance of 'Colours' lies in its light hearted clarity: a stonking drum section and a melodic motif that lingers in you like a pleasant memory. Today, ‘Colours' feels as nostalgic as it's vital; a love letter to a time we never knew would pass us by, or at worst, an invocation of a pre Covid era that seems a million miles away.
Danny Bonnici revisits his breakbeat roots with a delightful re rub, paying homage to an era when progressive breaks reigned king. Skittering snares and shuffling hats play off each other; the percussion contrasting sharply against the consistently moving bellow of the Hoover like bass. Keeping the original melody front centre, it eventually explodes post breakdown into a dizzying arpeggiated variation. If you want to know why Danny Bonnici is considered a breakbeat don, look no further.
Dutchman Alex O'Rion extends his streak of platinum productions with a refined update. By using warmer tones to soften the edges, the energy is burnished with more tranquil textures. The melody is framed by warm risers and smart fx that engage in playful interaction, whilst a casual bass line dances in complete flow with the melody. All the parts add up to a joyous progressive union a beautiful organic dance that never feels contrived.
If ‘Ride' epitomized care free mid 00's prog, ‘Colours' is imbued with the spirit of 2012. It's a radiant drive atop a sunlit melody and kaleidoscopic tones that will embed itself deep into your psyche. Drawing inspiration from the more vogue ish releases of that year, the brilliance of 'Colours' lies in its light hearted clarity: a stonking drum section and a melodic motif that lingers in you like a pleasant memory. Today, ‘Colours' feels as nostalgic as it's vital; a love letter to a time we never knew would pass us by, or at worst, an invocation of a pre Covid era that seems a million miles away.
Danny Bonnici revisits his breakbeat roots with a delightful re rub, paying homage to an era when progressive breaks reigned king. Skittering snares and shuffling hats play off each other; the percussion contrasting sharply against the consistently moving bellow of the Hoover like bass. Keeping the original melody front centre, it eventually explodes post breakdown into a dizzying arpeggiated variation. If you want to know why Danny Bonnici is considered a breakbeat don, look no further.
Dutchman Alex O'Rion extends his streak of platinum productions with a refined update. By using warmer tones to soften the edges, the energy is burnished with more tranquil textures. The melody is framed by warm risers and smart fx that engage in playful interaction, whilst a casual bass line dances in complete flow with the melody. All the parts add up to a joyous progressive union a beautiful organic dance that never feels contrived.
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